Tag Archives: Raymond Pettibon

Peter’s Auction Picks of the Day: December 10th

Young(ish) Artists in LA

Today we look at a five great artists who have emerged from the
Southland in the last thirty years. Each possess some version of that
rebellious, post/anti-hippie alternative spirit that was sometimes too
jaded to fight the good fight against the dark days of the big
shoulder-padded, Gordon Gecko, “Dynasty” era.

Now residing in Venice, CA, Raymond Pettibon first made a name for
himself with the underground music scene of the 1980s. An entire
generation of punk kids know him for his Black Flag and Sonic Youth
album covers, among others. While Pettibon expanded to fine art
mid-decade, his punk spirit positively throbs with excitement in
Thinking of You (Lot 55) (with 46 added drawings).

 

 

 

The standard edition of his published tome raised eyebrows, among
other parts, by only depicting large–very large–silhouettes of male
members, accompanied by the artist’s usual provocative text. However,
the version up for auction on Sunday is a very special copy of this
hardest of hardbacks–a one of a kind work in and of its self.
Pettibon (impishly? generously? both?) not only signed and dedicated
the book but added substantial text and filled dozens of the empty
opposing pages with ink and watercolor drawings of soaring, jaunty,
and yes, optimistic genitalia. Humorous as they all are, one senses a
master’s hand furiously at work. Insert a large, firm bid and this
big boy could be yours.

Jonas Wood’s Ewing’s Card (Lot 199) from the artist’s athletic trading
card portraits combines a LA denizen’s natural tendency to worship
the physical and the driven with a child-of-the-80s’ ironic distance.
In the words of art critic Roberta Smith, Woods’ is a “highly personal
but impersonally observed reality.” Ewing’s form is at once idealized
and disjointed–employing a ball player who is an icon for an entire
generation just now exiting its youth. Sigh.

Tom Sachs, who perfected his fabricating skills during an internship
with Frank Gehry in Los Angeles, has a lifelong obsession with that
ultimate Gen X icon of hipster disdain: Hello Kitty (Lot 200).
Meditating on his–and our–fetishization of luxury goods, Sachs takes
a Gucci hat box lid and in its interior paints a striking, zen-like
portrait of his beloved feline’s disembodied head. Sachs was
attracted to, as he puts it, the cartoon’s “almost Buddhist sense of
nothingness,” an apt metaphor for what Mike Nichols called, “the Los
Angelization of America.”

Emerging from the MFA program for the California Institute of the Arts
outside Los Angeles and now located in Palm Springs, Jim Isermann is
represented by the Untitled (Lot 92). This acrylic painting of one
highly-stylized flower in bloom is unguardedly lovely, with soothing,
“pretty” pinks and oranges in a peaceful array over a life-giving
sunny yellow orb. But as with most of Isermann’s oeuvre, this beauty
is double-edged. His works are always sincere in their optimism and
willingness to please, in their longing vision for a better day soon
to come yet… somehow–alchemically– a sadness creeps in. Isermann
verges on lamenting future Utopias past, paradises lost before they
were ever found. Always there is the fear that the current hope is
bound to disappoint.

This duality of reverence and remorse finds one of its most poignant
iterations in Tim Hawkinson’s Untitled (Double Flags) (Lot 201). As
we mentioned in the catalogue, Hawkinson uses distinctly inventive
methods with the skill of a special effects wizard to explore
existential themes of human consciousness, the passage of time, and
our relationship with the objects we create and consume. While Double
Flags can be seen as a nod to recent art history–an homage to Jasper
Johns’ own conflicted take on the American Flag–Hawkinson combines
visual audacity with technical mastery, allowing the intersecting Old
Glories to collide in a spectacular manner that mocks the worst of our
nation’s kitsch and faux-authenticity even as it transcends it. The
red stripes of one flag smash into the white stripes of the other and
where they meet they form the schmaltziest symbol of Americana, the
quaint, “unpretentious” checkered table-cloth. Hawkinson attacks how
the flag has been co-opted by some who have wrapped it in
sentimentality until it has become a divisive annointer of who is a
Good American and who is not. And yet… like Isermann, like
Johns… this epic in miniature seems to long for that which it
deconstructs, and seems willing to embody all that it questions. Even
those of us lost in the endless summer of LA still pine for
“realness”. Even for the Letterman-fed children of our most ironic
time, sincerity survives… hope survives.

Lot Information:

Lot 55
Raymond Pettibon
Thinking of You (with 46 added drawings)
Renaissance Society of the University of Chicago
1998
Book with original ink and watercolor drawings
Special edition
Inscribed on inside of front cover
12.25″ x 9.25″ x 1.25″
Regular limited edition of catalogue for Pettibon’s exhibition at the Renaissance Society in 1998 was 2000. This special edition features original drawings, overdrawing, and messages from the artist.
Estimate $18,000 – 25,000 

Lot 199
Jonas Wood
Ewing’s Card
2005
Gouache and pencil on Rives BFK paper
Signed and dated with title verso
Image: 27.75″ x 20.25″; Sheet: 30.25″ x 22.25″
Estimate $4,000 – 6,000 

Lot 200
Tom Sachs
Hello Kitty
circa 2000
Acrylic and pencil on gift box lid
16″ x 18.25″ x 1.75″
Estimate $8,000 – 12,000

Lot 92
Jim Isermann
Untitled
1985
Acrylic on wood board
Signed and dated verso
48″ x 48″ x 1.75″
Estimate $4,000 – 6,000

Lot 201
Tim Hawkinson
Untitled (Double Flags)
1990
United States flags and gingham napkin on canvas
Signed and dated verso
22″ x 21″
Estimate $6,000 – 8,000

Peter’s Auction Picks of the Day: June 22nd


The 80′s: Breakin’ Again

Recently we have been seeing a strong interest in works from the 1980s.  I mean, 1980 was over 30 years ago, so it’s only natural that the vintage market would start seriously considering the works as important artistic statements and not simply funny, retro kitsch. Although to be sure, there are some works from the 80′s that are still too young to expect serious contemplation (I am looking at you Leroy Neiman).

In this sale there are some highlights by already world-famous artists that have transcended the 80′s decade. For example, Andy Warhol’s The Marx Brothers (Lot 166), originally created for the suite “Ten Portraits of Jews of the Twentieth Century 1980″.  However, other lesser known artists are fast becoming classic modern staples, for example Robert Longo’s Rick (Lot 33) and Raphael (Lot 34) .  These works are among the most viewed works on our website. When people come in to preview they ask “Are they dancing or dying?”. Whatever the artist’s intent the imagery is iconic and a typical of the strong graphic nature of the 1980s (these works were created in 1994 and 1998, but the series “Men in the Cities” was conceived in 1987).

Tom Holland’s  Platt (Lot 438) is immediately recognizable as the exuberant colorful mid-80′s artwork that was co-opted for album covers, MTV graphics, as well as, for advertising and fashion graphics.  This example is not only exceptionally large, but also exhibits Holland’s typical three dimensionally of brush strokes literally coming off the surface and curving or bending beneath other elements.

Andres Serrano’s Female Bust (Lot 230), is one of the few images from his infamous “Immersions” series where the artist was making statements about classicism and modernism by using iconic classical imagery and submerging them in a tank of urine. With such a shocking concept, the beauty of the finished works are even more startling.

Raymond Pettibon’s  I Want the Girl in the Wig Commercial  (Lot 302) is typical of the artist’s illustrations accompanied by text. While some of his works echo elements of Pop artists of an older generation, Pettibon finds his own distinct vocabulary. His works first came into the public awareness as album cover art of 80′s bands such as Sonic Youth and Black Flag. This early screenprint is from a small edition of 30.

All these works are bold, graphic, and full of references to Pop Culture, but not in an obvious way like the original Pop artists did. As time passes, more and more work from the 80s will be seen as classic and timeless, and will not be an obvious reminder of  the moment, eventually transcending your own ideas of what the 80s were.

Lot Information:

Lot 166
Andy Warhol  
The Marx Brothers (from Ten Portraits of Jews of the Twentieth Century 1980)
1980
#124 of 200
Screenprint on Lenox Museum Board  Signed and dated lower left
Sheet 40″ x 32″; Frame 40.5″ x 32.5″
Catalogue Raisonne F/S #11.232
Estimate $45,000 – 55,000
June 26, 2011 Modern Art & Design Auction

Lot 33
Robert Longo  
Rick (from Men in the Cities)  
1994
HC 13 of 18; aside from the edition of 170
Lithograph on Arches Cover paper  Signed and dated lower right; edition lower left
Sheet 45.875″ x 30″; frame 52″ x 36″
Estimate $5,000 – 8,000
June 26, 2011 Modern Art & Design Auction

Lot 34
Robert Longo

Raphael (from Men in the Cities)
1998
#13 of 120
Lithograph on Rives BFK paper
Signed and dated lower right; edition lower left
Sheet 45.875″ x 30″; frame 52″ x 36″
Estimate $5,000 – 8,000
June 26, 2011 Modern Art & Design Auction

Lot 438
Tom Holland  
Platt  
Circa 1980
Epoxy on fiberglass
Signature, date and title verso
88″ x 63″ x 4″
Estimate $2,000 – 3,000
June 26, 2011 Modern Art & Design Auction

Lot 230
Andres Serrano  
Female Bust (From Immersions)    
1988
#6 of 10
Cibachrome  Signature, title and edition verso
40″ x 30″
Provenance: Stefan Stux Gallery; Private Collection, Los Angeles (Acquired from above on September 14, 1991)
Estimate $20,000 – 25,000
June 26, 2011 Modern Art & Design Auction

Lot 302
Raymond Pettibon

I Want the Girl in the Wig Commercial
1989
#18 of 30
Silkscreen
Signed lower right; edition lower left
Sheet 22.25″ x 15″; Frame 26″ x 18.75″
Estimate $2,000 – 3,000
June 26, 2011 Modern Art & Design Auction