Tag Archives: Philip Johnson

Peter’s Picks of the Day: December 7th

Provenance

Provenance is one of those great subjects in the art and antique world that will always mysteriously add value to objects and works of art. Provenance can add value because it belonged to a celebrity, like Liz Taylor’s jewelry, which will forever be known as belonging to her. Those examples will always be more sought after than other similar examples that belonged to someone less famous.

Many times provenance is important simply because you have the complete lineage of the history of ownership of an object. In many cases, this is very important when you are talking about objects that may possibly be a fake or a forgery. Provenance becomes very important in proving that this actually has existed all through its life, which is the root of the word ‘provenance’. This auction features two pieces with exceptionally rare and special provenance. How often do you see works in 20th century design where listed on the provenance is the actual designer who designed the piece himself?

Lot 217 is a Philip Johnson floor lamp that was designed by the architect for his famous glass house in New Canaan, Connecticut who famously found that there was poor lighting design for a house that didn’t have any exterior walls, so he created with Kelly this unique standing lamp with a raised column that would produce a very bright beam of light that was reflected back down to the floor and would spread out to light the entire room. Lot 217 is the actual lamp that Philip Johnson designed and created for his house. In his letter he explains that this is the example from his house.

Lot 233 is a 1963 Studebaker Avanti R2, the most powerful production car of its day happens to be the only other fiberglass bodied production car besides the Corvette to be made in America. The car was famously designed by Raymond Loewy over a 2 week span in Palm Springs in the early 1960’s and the example we have in the auction was ordered from the factory and delivered to Raymond himself. Original documentation was found with Raymond Loewy’s name on it. There are also photographs of him standing next to the car with unique items delivered on this example that were delivered to no other versions of this model. In addition, there are small plaques he made for the side of the car and the dashboard which explains that this car was specially delivered to him in California in 1962.

Both the Philip Johnson floor lamp and Raymond Loewy’s Avanti are exceptionally rare examples of provenance where the actual designer is the first owner of the work. They will forever be seen as the most desirable example of the form in the future and as such becomes an important opportunity to acquire these works which may never be duplicated.

Lot Information:

Lot 217
Philip Johnson
Floor lamp
Edison Price, Inc.
designed 1953
Bronze, painted steel, and aluminum with original power transformer of bakelite and steel.
and Richard Kelly
40″ x 25″ diameter with shade
Accompanied by copy of a letter of provenance from Philip Johnson
Literature: Design 1935-1965: What Modern Was, Martin Eidelberg, Abrams, 1991, pg 204
Provenance: Philip Johnson, New York; Private Collection, California
Estimate $25,000 – 35,000

Lot 233
Raymond Loewy
Avanti
Studebaker
1963
Model 63R2 (Super Charged)
Provenance:
Raymond Loewy, Palm Springs (c. 1962 – ?);
John Myer, Venice, California ( ? – 1986);
Joe Molina, San Fernando, California (1986 – 1987);
McCormick’s Exotic Car Auction, Palm Springs (1987);
Dennis Boses, Los Angeles (1987 – 1989);
Gene Watson, Washington D.C. (1989- 1998);
Private Collection, Los Angeles (1998 – present).
Estimate $60,000 – 80,000 

Peter’s Auction Picks of the Day: December 5th

Architectural Designs

There are several important architectural designs in this auction that are getting a  lot of attention and have been previously been published and  used in various exhibitions for example the floor light by Philip Johnson (Lot 217), which happens to be Philip Johnson’s own floor light from his glass house in New Caanan, Connecticut. Other examples were produced and other important collections, private and public, have various examples of this lamp.

Two Frank Lloyd Wright chairs in this sale have been seen many times in many exhibitions, including the wonderful Cherokee red office chair from the Johnson Wax building (Lot 274).

However, I think my favorite design in the sale that has a close connection to architecture is Rodney Walker’s custom coffee table (Lot 190). This table was the architect’s own coffee table, which appeared in many of the press photos for his own home. In fact when he re-designed the house for his family the press photos again show the same table, one of the only designs that transferred from the old house to the new house.

It has a wonderful shade of green plastic laminate top, which is edged  in a wood veneer. It is held up by three impossibly thin, elegant bent plywood legs, which give the effect of a floating free-form shape, almost like an element from a Calder mobile or a Hans Arp sculpture, floating just inches off the ground. This shape is made of several complex curves and may be among the first kidney-shaped coffee tables of the post-war period. Unlike the other architectural elements in this sale, here is truly a unique piece that has yet to be widely viewed and is an excellent candidate for upcoming exhibitions on post-war architecture and design in California.

Lot Information:

Lot 190
Rodney Walker
Custom coffee table
executed c. 1950
Wood with Formica laminate top
10″ x 80″ x 42.25″
Designed and built by Rodney Walker and pictured in September, 1952 House Beautiful in the Walker family home on Mulholland Drive in Los Angeles, where they lived from 1951 to 1956. Also part of the interior design of Walker’s family home in Ojai, where the family lived from 1958 to 2003.
Provenance: Craig Walker, California; Private Collection, California; Literature: House Beautiful, September 1952
Estimate $5,000 – 7,000 

Lot 217
Philip Johnson
Floor lamp
Edison Price, Inc.
designed 1953
Bronze, painted steel, and aluminum with original power transformer of bakelite and steel.
and Richard Kelly
40″ x 25″ diameter with shade
Accompanied by copy of a letter of provenance from Philip Johnson
Literature: Design 1935-1965: What Modern Was, Martin Eidelberg, Abrams, 1991, pg 204
Provenance: Philip Johnson, New York; Private Collection, California
Estimate $25,000 – 35,000

Lot 274
Frank Lloyd Wright

Side chair
Made by Metal Office Furniture Company (later Steelcase, Incorporated)
designed 1936-39
35″ x 18″ x 20.5″
Custom designed for the S.C. Johnson Wax Building
Literature: Frank Lloyd Wright Interiors and Furniture, Heinz, St. Martin’s Press NY, 1994, pg 185
Estimate $20,000 – 30,000

 

December 11th Auction Preview Now OPEN

The preview for the December 11, 2011 Important Modern Art & Design auction has officially opened today!

Come to the LAMA Showroom to see over 500 lots of exceptional modern fine art and design, including works by Andy Warhol, Ed Ruscha, John Baldessari, Arne Jacobsen, Verner Panton, Dan Johnson, Charles & Ray Eames, Philip Johnson, Robert Graham, Timo Sarpaneva, Greene & Greene, Raymond Loewy, and John Chamberlain.

Preview Dates:
Thursday, December 1st – Saturday, December 10th
open daily 10 a.m. – 6 p.m.
16145 Hart Street Van Nuys, CA 91406

Auction Date:
Sunday, December 11, 2011; 12pm (PST)
16145 Hart Street Van Nuys, CA 91406

All lots are online here. 

For all bidding inquires, please call 323-904-1950 to speak with a LAMA representative directly.